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Focus on the powerful image(s) - Find one or more powerful images to focus your story on. A wartorn street. An alien sunset. A Going Out of Business sign. They say a picture worth a thousand words.
GRANT FAULKNER, Editor of 100 word story : I think of flash fiction as being one part story, one part poem. Plot matters less than mood and telling detailsyet it does matter.
Just begin writing, and if what comes out organically ends up being under a thousand words, well, then, there you go. DO: Save your babies. Were often, in fiction, advised to kill our babies, in other words, to throw out or delete a paragraph you.
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You dont want to repeat what others have written. 5. Forget that flash is a story and not a poem or essay. HENRIETTE POWER, editor of. The Drum : Dont mix plaids and stripes: its a tiny story so pick one theme.
Think: the final gesture of a love affair, or the start of a good old-fashioned gang fight. All of this is to say we need to avoid preambles or introductions (unless working on a specific conceit).
DO take time to find the right word. Take advantage of shades of meaning to paint the picture you want with maximum economy. If blue doesnt cut it, you could try a vibrant shade of blue-green that reminded him of that time he flew over.
Dont over-accessorize: flash fiction is not the place for a crowd of characters. Do choose classics: pay close attention to language. Do opt for understated elegance: an overly dramatic story overpowers flash.
Short fiction handles narrative very well, gives it shape and frames it. But flash fiction isnt narrative, or at least not traditionally so. It isnt about a scene; its about a moment, or a series of moments.
They make the mistake of thinking that just ending a piece of writing sooner rather than later makes it flash. Their prose is long-winded, their sentences unremarkable, and their sense of characterization and plot pretty nonexistent.